fox: treble clef, key of D (at least) (music)
fox ([personal profile] fox) wrote2007-06-12 12:30 am

descant girl

The C flat in the Barber wasn't enough -- I'm also on the C natural in the Bernstein encore.  Y'all come on down to the Cathedral next Saturday (ask me about tickets) if you want to hear my voice up in the ionosphere.  :-)
cordelia_v: my default icon (Default)

[personal profile] cordelia_v 2007-06-12 02:01 pm (UTC)(link)
Did I mention how impressed I am that y'all are doing the Barber? My choir couldn't pull that off, I'm afraid (or so our director assures us. Of course, he's risk-averse).

Only those who have (occasionally) achieved a good high C can appreciate this accomplishment. Good luck to you, and what is the encore you're doing?

[identity profile] darthfox.livejournal.com 2007-06-12 02:10 pm (UTC)(link)
Don't be crazy-mad impressed quite yet: the score notes that choirs of sufficient size and skill can do it a capella, which would be AWESOME, but it's scored for accompaniment by piano or organ, and we're -- because we have the NSO right there, after all -- doing it with accompaniment by strings, on account of it's the Adagio For, after all. :-)

The encore is Page's choral arrangement of "Make Our Garden Grow" from Candide. (It is a testament to how long I've been living in this town that when the muscle memory kicked in just now, I initially typed "candidate".)
cordelia_v: my default icon (Default)

[personal profile] cordelia_v 2007-06-12 02:13 pm (UTC)(link)
I thought it might be that arrangement of Candide. We did that a few years ago; it's really fun. And for some reason, in that arrangement, I didn't find the C hard to hit, at all.

And yes, I think the Barber, done a capella, has to be one of the ultimate acid tests for a choir. I only hope I live long enough to be part of a group that attempts that. The Mt. Everest of choral pieces.