Jul. 3rd, 2007

fox: treble clef, key of D (at least) (music)
Beverly Sills 1929-2007.

Sigh.

Also, how cruel is the twist of fate that gave a woman with that kind of voice a deaf child? ... I suppose, looked at another way, that could force the kind of relationship where the kid doesn't care that you're Beverly Sills, because she can't have any first-hand evidence of why that matters, so to her you really are just Mom. (This is a tremendously inarticulate way to say what's in my head, but I can't make the words come out right.)
fox: my left eye.  "ceci n'est pas une fox." (Default)
Recall that in the early 3rd-season episode "Ways and Means", the following dialogue takes place:
DONNA
I had a plan! Each box was numbered. There is a piece of paper with a number and a corresponding description of the contents of each box.

JOSH
Well, where is the piece of paper? [Donna glares at him.] It's... in one of these boxes.

DONNA
I had a plan.
This is, of course, just a smidgen of a longer conversation about in one of these boxes is this stuff, and in one of these boxes is the other stuff, and then Donna says "I can't [sleep] yet. Because in one of these boxes are FedEx receipts and mailroom records for any gifts or packages sent to senior staff, and in one of these boxes is a piece of paper which SAYS WHICH BOX IT'S IN!"

My question is this: did Sorkin really think that plan was all that clever that he needed to have Donna and Josh spend all that time describing it? I'm not saying Donna was wrong to be as wigged out as she was, but surely everyone who's ever worked in an office will join me in wondering why on earth he made her say "a piece of paper with a number and a corresponding description of the contents of each box" when he could have had her say "an index".

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fox: my left eye.  "ceci n'est pas une fox." (Default)
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